Toooooo smoooooth
3
By Maelje
This was the album that caused my interest in Ambrosia to diminish. Gone were the incredibly ambitious, progressive sounds that made "Time Waits for No One" and "Cowboy Star" so amazing. Instead, "One Eighty" reinvented Ambrosia as a hit machine that depended too much on smooth pop and slick R&B to retain any real credibility with the audience that had been drawn to the band's first three albums. Still, I have to admit that "You're the Only Woman" and "Biggest Part of Me" made for some mighty fine ear candy. Beautifully recorded, performed and produced, they did demand attention. Unfortunately, the other seven songs here are forgettable -- and "forgettable" was something Ambrosia never had been before this album.